Friday 5 September 2014

[www.keralites.net] Story: The Tea Cup

 

Fun & Info @ Keralites.net 
There was a couple who used to go to shop in the beautiful stores. They both liked antiques and pottery and especially teacups. One day in this beautiful shop they saw a beautiful teacup. They said, "May we see that? We've never seen one quite so beautiful." As the lady handed it to them, suddenly the teacup spoke.
 
"You don't understand," it said. "I haven't always been a teacup. There was a time when I was red and I was clay." My master took me and rolled me and patted me over and over and I yelled out, "let me alone", but he only smiled, "Not yet."

"Then I was placed on a spinning wheel," the teacup said, "and suddenly I was spun around and around and around. Stop it! I'm getting dizzy!" I screamed. But the master only nodded and said, 'Not yet."
 
Then he put me in the oven. I never felt such heat. I wondered why he wanted to burn me, and I yelled and knocked at the door. I could see him through the opening and I could read his lips as He shook his head, "Not yet."

 
Finally the door opened, he put me on the shelf, and I began to cool. "There, that's better," I said. And he brushed and painted me all over. The fumes were horrible. I thought I would gag. "Stop it, stop it!" I cried. He only nodded, "Not yet."
 
Then suddenly he put me back into the oven, not like the first one. This was twice as hot and I knew I would suffocate. I begged. I pleaded. I screamed. I cried. All the time I could see him through the opening nodding his head saying, "Not yet."
 
Then I knew there wasn't any hope. I would never make it. I was ready to give up. But the door opened and he took me out and placed me on the shelf. One hour later he handed me a mirror and said, "Look at yourself." And I did. I said, "That's not me; that couldn't be me. It's beautiful. I'm beautiful."
 
"I want you to remember," then, he said, "I know it hurts to be rolled and patted, but if I had left you alone, you'd have dried up. I know it made you dizzy to spin around on the wheel, but if I had stopped, you would have crumbled.
 
I knew it hurt and was hot and disagreeable in the oven, but if I hadn't put you there, you would have cracked. I know the fumes were bad when I brushed and painted you all over, but if I hadn't done that, you never would have hardened; you would not have had any color in your life.

And if I hadn't put you back in that second oven, you wouldn't survive for very long because the hardness would not have held. Now you are a finished product. You are what I had in mind when I first began with you."

God knows what He's doing (for all of us). He will mould us and make us, So that we may be made into a flawless piece of work To fulfill His good, pleasing, and perfect will.
 

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Posted by: Junaid Tahir <mjunaidtahir@gmail.com>
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[www.keralites.net] Multiple Exposure Portraits 2.0 – Christoffer Rela nder

 


 
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These amazing portraits are the work of graphic designer and self-taught Finnish photographer Christoffer Relander. The Patternbank team were stunned by his creative experimentation that generate these double and triple exposure images. Heavy contrast adjustment help blend nature and human form in these fascinating photo artworks. Using his trusted Nikon D700 and some skillful work in iLightroom editing suite, Relander creates a series of beautifully captivating statements.

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Posted by: "~*~Grupo FuXiquinho~*~" <gfuxiquinho@gmail.com>
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[www.keralites.net] Gorgeous Peacock Sculptures Made of Recycled Beauty Products

 

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San Francisco-based artist Laurel Roth builds these Peacock sculptures using many synthetic, shiny, and recycled beauty products that she dubs "human mating plumage." Fake fingernails, barrettes, nail polish, false eyelashes, and jewelry are used, according to Roth, "to represent the choices involved in biological processes that are unique to humankind."

Nail by nail, eyelash by eyelash, Roth creates these intricate and magnificent sculptures. From a distance, the pieces all have a new-product shine to them which gives each peacock sculpture a gorgeous glow. As viewers approach the sculptures, they begin to question the use of the individual products and consider the main issues—beauty and the human urge to modify itself—that is consistent in much of Roth's work. Many of the products are expired or donated from overstock from companies like OPI and Scunci, or collected from thrift stores and estate auctions that Roth attends.

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Posted by: "~*~Grupo FuXiquinho~*~" <gfuxiquinho@gmail.com>
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